Walking in the Shade: Volume Two of My Autobiography--1949-1962

Walking in the Shade Volume Two of My Autobiography The second volume of Doris Lessing s extraordinary autobiography covers the years from her arrival in war weary London with her son Peter and the manuscript for her first novel The Grass i

  • Title: Walking in the Shade: Volume Two of My Autobiography--1949-1962
  • Author: Doris Lessing
  • ISBN: 9780060929565
  • Page: 259
  • Format: Paperback
  • The second volume of Doris Lessing s extraordinary autobiography covers the years 1949 62, from her arrival in war weary London with her son, Peter, and the manuscript for her first novel, The Grass is Singing, under her arm to the publication of her most famous work of fiction, The Golden Notebook She describes how communism dominated the intellectual life of the 1950s aThe second volume of Doris Lessing s extraordinary autobiography covers the years 1949 62, from her arrival in war weary London with her son, Peter, and the manuscript for her first novel, The Grass is Singing, under her arm to the publication of her most famous work of fiction, The Golden Notebook She describes how communism dominated the intellectual life of the 1950s and how she, like nearly all communists, became disillusioned with extreme and rhetorical politics and left communism behind Evoking the bohemian days of a young writer and single mother, Lessing speaks openly about her writing process, her friends and lovers, her involvement in the theater, and her political activities Walking in the Shade is an invaluable social history as well as Doris Lessing s Sentimental Education.

    • Walking in the Shade: Volume Two of My Autobiography--1949-1962 « Doris Lessing
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      Published :2019-01-10T15:14:44+00:00

    2 thoughts on “Walking in the Shade: Volume Two of My Autobiography--1949-1962

    1. Both of her parents were British her father, who had been crippled in World War I, was a clerk in the Imperial Bank of Persia her mother had been a nurse In 1925, lured by the promise of getting rich through maize farming, the family moved to the British colony in Southern Rhodesia now Zimbabwe Like other women writers from southern African who did not graduate from high school such as Olive Schreiner and Nadine Gordimer , Lessing made herself into a self educated intellectual In 1937 she moved to Salisbury, where she worked as a telephone operator for a year At nineteen, she married Frank Wisdom, and had two children A few years later, feeling trapped in a persona that she feared would destroy her, she left her family, remaining in Salisbury Soon she was drawn to the like minded members of the Left Book Club, a group of Communists who read everything, and who did not think it remarkable to read Gottfried Lessing was a central member of the group shortly after she joined, they married and had a son.During the postwar years, Lessing became increasingly disillusioned with the Communist movement, which she left altogether in 1954 By 1949, Lessing had moved to London with her young son That year, she also published her first novel, The Grass Is Singing, and began her career as a professional writer.In June 1995 she received an Honorary Degree from Harvard University Also in 1995, she visited South Africa to see her daughter and grandchildren, and to promote her autobiography It was her first visit since being forcibly removed in 1956 for her political views Ironically, she is welcomed now as a writer acclaimed for the very topics for which she was banished 40 years ago.In 2001 she was awarded the Prince of Asturias Prize in Literature, one of Spain s most important distinctions, for her brilliant literary works in defense of freedom and Third World causes She also received the David Cohen British Literature Prize She was on the shortlist for the first Man Booker International Prize in 2005 In 2007 she was awarded the Nobel Prize for Literature Extracted from the pamphlet A Reader s Guide to The Golden Notebook Under My Skin, HarperPerennial, 1995 Full text available on dorislessing.

    2. This was a fascinating read from a fascinating writer who not only lived to be 94 but seemed to have lived each of her years with passion and an open-minded spirit, a sense of deep self-questioning and also an attempt to never give up. This is the second of Lessing's autobiographies that begins in 1949 on her arrival from Africa, taking the reader through the different stages of her struggles to make a living in post-war London and then carve her path towards international recognition as an auth [...]

    3. Totally absorbing. What a fascinating, intelligent and honest person she was. I feel envious of her friends.I can see a lot of reading of other books by Doris Lessing in the not too distant future.

    4. Man merkt dem zweiten Teil von Lessings Autobiografie leider an, dass hier in einem ebenso dicken Band wie dem ersten statt 30 nur 13 Jahre beschrieben werde. Die politischen Zwistigkeiten unter den Kommunisten, ihre eigene Unentschlossenheit in Bezug darauf, werden extrem breitgewalzt. Auch ihre Gedanken zu Frauen und Feminismus sind oft etwas platt, scheinbar nur auf der Tatsache beruhend, dass sie nie Angst hatte Opfer von Vergewaltigung zu werden und sie sich nie sexuell bedroht fühlte.Das [...]

    5. Fascinating background to 'The Golden Notebook', as it covers the same period. If anything, I probably preferred the autobiography to the novel.

    6. Reading this second volume assuredly requires your stamina, familiarity and sense of humor since its scope/plot is a bit different from its predecessor in which it's divided into normal numerical chapters while this one divided into four main road/street themes, each with its seemingly never-ending length of narrations, dialogs, episodes, etc. it's a pity there's no contents section in this book so the following tentative contents may help you see what I mean:Denbigh Road W11 (pp. 1-16)Church St [...]

    7. I was expecting more details of her writing process than her political memoirs. It is good to see the political background and social atmosphere of those years and Lessing has a great eye to depict them; however, this second volume lacks of an emotional integrity. Instead, we see too much details of her political life and never-ending series of people involved in her life than herself as an author.

    8. Doris Lessing mostra neste livro as dificuldades que enfrentou para se tornar uma escritora respeitada e uma mulher independente. Desafiando convenções, ela deixou para trás, no final dos anos 1940, na África, um casamento infeliz e dois filhos pequenos. Ela chega a uma Londres se recuperando da 2ª Guerra Mundial, com o filho do segundo casamento e o manuscrito do seu primeiro romance. Teve de se virar como mãe solteira e aspirante a escritora em vários empregos. Passou por maus bocados. [...]

    9. I love biography. I never thought I would abandon a biography unfinished and feel no desire to pick it up and continue. I found this dull, self-serving and boring. Lessing seems to be busy making excuses and justifications for her 'fellow travelling' with Communists in 1950s London. Oh, pleeeze! So what? Heaps of people were members of the party or fellow travellers. many have also renounced or reassessed their former positions, but they don't feel the need to go into tortuous self-denial as Les [...]

    10. Lessing writes so clearly and observantly that her autobiographies are brilliant, even if she does not come across as likeable. The discovery of Sufism at the end of this one is where it veers off into self-indulgence.

    11. The second volume of her autobiography, from her move to London in 1949 to 1962. Definitely very interesting, if you can ignore the rhetorical passages. While from the first volume, I learned that the first four volumes of the Children of Violence were fairly autobiographical, here I learned (as I partly suspected, since the one thing I know about Lessing is that she is an author, and Martha isn't) that the last volume is much less so -- in fact, I wasn't prepared for how totally non-autobiograp [...]

    12. Again, a lot about her political life. I love Doris Lessing because she is trying to give you an idea of what Britain was like in the 1950s (mostly that decade). Some portions of this book are absolutely riveting, for me, the description of her search for meaning through Eastern religions. She is very coy, I think, about her relationships, not going into much detail but offering tantalizing tidbits. I have a whole bunch of quotes I will add later. "I was again in an atmosphere that made every en [...]

    13. 'Nothing is easier than malice,' Doris Lessing writes. 'Once, to be malicious was considered a fault; now it's applauded dishing the dirt says more about us than we ought to like: it is diagnostic of our nasty time .'Fending off the malice of her biographers, you could say, Lessing wrote her autobiography because she understood so well how the tendency towards malice would distort her life & work, if she didn't explain it herself. I thoroughly enjoyed this second volume of her autobiography. [...]

    14. This book was about to be withdrawn from our school library collection and I rescued it. it was a text I read a long time ago and I couldn't resist re-visiting it as I, amongst, a million other women am such a fan of Lessing's novels, especially, of course, The Golden Notebook. To be honest, though, the autobiography isn't particularly an easy or, for much of it, a fascinating read, Much of it is based on examing the party in the 50s and it explores some of the big names at the time and her wilt [...]

    15. Bir kitabı ya da daha da özelleştirecek olursak bir oto/biyografiyi bu kadar iyi, bu kadar okunası yapan şey nedir? Biyografiyi yarın karanlıkta düz ve çoğu zaman yorucu bir yolda yürümeye benzeten Lessing, gerçekten güzel yazılmış bir biyografiden daha iyi ne olabilir ki diye sorar kitabın başlarında. Açıkçası ben otobiyografisini okurken bu sorunun hakkını fazlasıyla verdiğini düşündüm. Kitapta beni etkileyen, yazarın olağanüstü derecede sıra dışı bir ha [...]

    16. So good. Wittier than Volume One, and my only criticism is it's a bit bogged down with characters and encounters. Some favorite moments: The first time she meets Betrand Russell, he says for absolutely no reason, "Now I hope you are going home and to bed with your lover." On people trying to canonize her: "I myself have had to fight off attempts to turn me into a wise old woman." Is that we she became such a curmudgeon? Speaking of women being cruel to men on a political basis: "Could we have fo [...]

    17. Very interesting for its own sake, and also as something to read after having read Golden Notebook (especially if you want to understand what she meant by naming in that book). Really enjoyed her strictures about publishers, book signing, camden council etc the accounts of discussions with africans in exile such as Joshua Nkomo, and her reflections on writing, and how her opinions about various pieces of hers and others have changed over the decades.

    18. Great reading about a woman who was an active member of the Communist party. This is a very exciting read.I remember Jane Addams visiting communist Russian, and Tolstoy saying that two shelters could be made for people in Russian from the material used for Jane Addams' dress. Ouch! No such slouch represented here in Lessing's communist street cred. Do not read this book if you feel that you don't need to be inspired by other women.

    19. This is the second volume of Lessing's autobiography, covering 1949 to 1962' during the time Lessing moved to London, became heavily involved in the communist cause and then, shocked and disillusioned by the revelations of Stalin's atrocities, moved on. This was also the period during which she wrote The Golden Notebook. Lessing is candid, witty and intriguing.

    20. There is a lot in here about all sorts of things, including not only the sort of topics you'd expect, like Soviet Communism, but also about London in the early fifties, and London's publishing scene then, and how it changed in the space of a decade. The writing is occasionally desultory, but that didn't stop me reading to the end.

    21. A fantastic concluding volume to DL's autobiography. Sadly, the last pages on Idries Shah and sex seem hurried, but the wonderful passages on her response to the responses to "The Golden Notebook" are a consolation. I envy her.

    22. Not worth it! Unless you have an intense interest in Doris Lessing as a person. Ai caramba. Far too much dithering!

    23. I only read a bit at a time but it's very interesting. Brings back a lot of my memories of my younger self even though I don't have a lot in common with Lessing.

    24. I bought this purely for research and ended up absolutely loving it. It was like having a chat with a wise writer friend who had been there done that

    25. not a quick read, an interesting book, and definitely a different perspective on life, government, morals, than I usually see, but an eye opener just the same.

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